Just an update to let everyone know about our events during this year’s conference. See you in Vancouver!
Friday, November 4:
7:00-8:45 a.m.: CSW Breakfast meeting (Blue Whale) – Committee members only!
8:00-11:00 p.m.: CSW Session – Frauenarbeit: Four Triptychs by Women in Music Theory (Pavilion Ballroom B)
- Jennifer Bain (Dalhousie University), Session Moderator
- Gretchen Horlacher (Indiana University), “Movement in Music and Dance: A Neoclassical Collaboration for Orpheus”
- Julie Hedges Brown (Northern Arizona University), “Re-Hearing Schumann: A Ballet, a Quartet Adagio, and Multivalent Identity”
- Robin Attas (Elon University), “Dancing an Analysis: Approaching Popular Music Theory through Dance”
- Ellen Bakulina (University of North Texas), “Non-Monotonality and Proto-Harmony in Rachmaninoff”
- Charity Lofthouse (Hobart and William Smith Colleges) and Sarah Marlowe (New York University), “Pushing the Boundaries: Mismatch and Overlap in Shostakovich’s ‘Classical’ Structures”
- Deborah Rifkin (Ithaca College), “Prokofiev’s Chromaticism in Fairy Tales: Cinderella and Peter and the Wolf ”
- Nancy Yunhwa Rao (Rutgers University), “Analysis, and the Dilemma of Music Genealogy: The Cases of Ruth Crawford and Johanna Beyer”
- Antonella Di Giulio (Buffalo State College), “Blind and Imaged: Musical Intuitions in an Open Work”
- Patricia Hall (University of Michigan), “‘Border Crossing’ in Dario Marianelli’s Score for Atonement”
- Laura Emmery (Emory University), “Repetition and Formal Destruction in Popular Music”
- Victoria Malawey (Macalester College), “Analyzing the Popular Voice”
- Jacqueline Warwick (Dalhousie University), “Listening with a Gendered Ear”
Saturday, November 5:
12:15-1:45 p.m.: CSW Brown Bag Open Lunch (Parksville) – ALL are welcome. Please bring your lunches and suggestions for making SMT more inclusive!
*Also to note: Oxford University Press is hosting a reception on Friday evening from 6:30-8:00 p.m. (Pavilion Ballroom C). The press will be featuring Laurel Parsons and Brenda Ravenscroft’s first book in their series of analytical essays on music by women (more info on the book can be seen here).